The reflex real-time channel stopped by the cover through a dead person, is one strategy.

The other strategy is to find a living outlet for a dead person.

Those two strategies are in conflict.

I love Margaret Rutherford, the facial expression, her energy, her style, her self-confidence that doesn’t come from Barbie style beauty, the sexual reflex trigger. So, Ratherford died when I was 13 years old. Angela Landsbury, who died when I was 63 years old, took over explaining she is the connectivity since Ratherford is dead. Or Janis Joplin, her outlet is Birnbaum, which one, I don’t know.

So this connectivity of the dead to the living will not stop the reflex channel, it puts the receiving actors at risk. To replace them with computer animated identity thefts is avoiding the problem not solving it.

No matter where I go, the complexity of time-all activity functions seems to burst tge social fabric. Or it sinks the whole ship : a company, a country, a family, a profession.

Hm, nobody wanted it. How many were there in this role and what happened to them? Is it possible to make a series about it or would it overexpose and corrupt the method or goals behind it?

a cow is mooing loudly from the other side of the river.

a dog is barking.

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Kamala Devi Harris. how are you?

William Arthur Philip Louis Windsor, how are you?

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